evilinsanemonkey: Marshall Teller and Dash X from Eerie Indiana making eyes at each other (Eerie: Dash/Mars)
[personal profile] evilinsanemonkey
It is Femslash February (I'm a few days late, I know, life got weird...) and I thought it would be fun to offer a challenge to all of us Eerie fans to write some femslash for this fandom!

No formal prompts, just a general celebration of all the wonderful F/F pairing possibilities* in Eerie Fandom!

I've added a new collection on AO3 if you'd like to use that when posting!

(*Genderswapping characters counts)
evilinsanemonkey: (Eerie: Pixel Harley)
[personal profile] evilinsanemonkey
Title: Not a Paper Girl
Author: [personal profile] evilinsanemonkey
Characters/Pairings: Sara Sue, One Sided!Sara Sue/Syndi Teller
Rating: PG
Genre: Angst
Summary: Sara Sue realizes she has a crush.
Notes: Fic one in my self imposed "write a fic a day for Femslash February" challenge!

Not a Paper Girl on my Journal
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[personal profile] froodle
Sara Sue remembered the girl, all in black, carrying the filmy outline of another person over her own face like a mask sketched in chalk. She felt sick.

The Mayor noticed her change in expression, and laughed.

"Ah," he said. "This one gets it. A shame you never loved your father or brothers; their clinging ghosts would have made you much stupider, and far less of a nuisance."

Sara Sue ground her teeth, fingers aching for a pencil to drive deep into the reality of this man, shutting him up forever.

"And Simon Holmes loved his friends so very much..."

Ongoing Verse: Pay Attention

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Ongoing Verse: Holmes Brothers

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[personal profile] froodle
The Mayor's smile did not waver.

"You've been out of circulation for a long time," he said. "Maybe you didn't notice what happens to people in this town when they lose a loved one." His grin narrowed to become a smirk. "Maybe there wasn't anyone you loved, or maybe you just don't remember them."

Dash said nothing, but Sara Sue felt him freeze beside her, and could tell the barb had hit home. The Mayor continued.

"But the people who die here, they don't move on in the way we expect. They linger. They infect the people that miss them."

Ongoing Verse: Pay Attention

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[personal profile] froodle
"Oh, I know all about the Holmes boy," the Mayor said airly. "He's loyal as a dog." He grinned, his teeth white and even and blinding. "And when he realises I've taken his little friends, he'll come running like a dog. And then, as usually happens to boys who are loyal and good and true, he'll die like a dog."

Behind a tumble-down veil of hair that she'd thought she was long past wearing, Sara Sue glared hatred. At her side, Dash laughed.

"You're thinking of the wrong brother," he said. "Simon was loyal. Harley? He's just very, very angry."

Ongoing Verse: Holmes Brothers

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Ongoing Verse: Pay Attention

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[personal profile] froodle
The dandelion wine tasted like summer, the sort of summer that Sara Sue had read about in those children's books which had left her sitting, sad and angry, in some secluded corner of the Eerie Library, back when she was Sara Bob and her life was her father's house, her brother's demands, and an almost unbearable need to escape from it all.

"Cheers," said the woman from the Ladies Society for the Beautification of Eerie, raising a glass in one white-gloved hand and clinking it against Sara Sue's own.

"Cheers," said Sara Sue, deciding then and there to sign up.

Ongoing Verse: Janet

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Ongoing Verse: Teller Family History

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[personal profile] froodle
The robe was thick and soft, the sheer bulk of it packed so tightly into the glitzy gift-wrap prison that it started to ooze out the moment she tore away that first strip of tape. She pulled, and as the tidal wave of the fabric spilled out and down and pooled about her feet in a glorious tide of pinks and blues, Sara Sue squealed in delight.

"It has pockets!"

She lifted it, feeling the velvety plush against her paint-stained fingertips, noticing the slight strain required to lift all that wonderful, snuggly weight, and slipped it on.

"Pockets, you guys!"


Ongoing Verse: Pay Attention

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[personal profile] froodle
The mouth of the cave did not have a door, so Sara Sue knocked lightly against the stalagmite nearest the entrance by way of announcing herself. From deeper inside there came the metallic whisper of scale moving against scale, and a voice like great boulders grinding together echoed out from the gloom.

"What?"

"Brought you some bits from the horror section at Eerie Video," she said. "Also some M&Ms and a new type of microwave popcorn."

Twin spots of fire appeared in the darkness, thirty feet off the ground and blinking hazily.

"Really?" it said. "What kind?"

"Bubble-gum wasabi, apparently."

Ongoing Verse: Pay Attention

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[personal profile] froodle
Sara Sue pulled herself up and onto the ledge and sat there, wheezing. On the other side of Wolf Mountain the sun was rising, but here on the northern face the pre-dawn chill remained and her breath formed icy plumes in the cold air.

She unwrapped one of the World o' Stuff's patent-pending energy bars, inhaling the salty-sweet smells of peanut butter and banana, and devoured it in three bites.

Far below her dangling feet, the town was beginning to stir. She watched the lights come on at the Eerie Dairy, just as lights winked out all over the cemetery.

Ongoing Verse: Pay Attention

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[personal profile] froodle
The rain beat down on the red-shingled roof of wooden veranda that they did not have, had never had, and never could have had on their small second-floor apartment.

Sara Sue sat on her porch swing on the impossible extension, rocking back and forth as her feet trailed against wooden boards yanked into existence in a single afternoon and aged with a few quick brushstrokes once she'd decided that, actually, she quite liked the idea of floors that creaked underfoot.

The right kind of creak, of course. The sort that comes from time and use and loving maintenance. That mattered.


Ongoing Verse: Pay Attention

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[personal profile] froodle
Marshall hurried down the grimy corridor, two minutes late for his next class and letting his feet handle the familiar route while his brain scrambled for a hopefully not-so-familiar excuse. That was probably why he didn't notice one of the Michaels loitering by the display case until he was almost on top of him.

"Ow!" Marshall exclaimed, jerking his hand back and shaking it to dispel the sudden sting of static electricity.

"Sorry," said the Michael, his voice as quiet as soft pencil on rough paper. He turned, and Marshall could see what had fascinated him.

"Ah," he said. "Sara-Sue."

Ongoing Verse: Trusted Associates Inc

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Ongoing Verse: Pay Attention

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[personal profile] froodle
Poplio stood silhouetted against the rising sun, body butter-yellow and bulbous and almost completely obscuring the long, low bulk of the Eerieplex behind him.

The familiar cinema-going scents of burnt sugar, salted grease and old carpet that had lain too long in darkened rooms were still present, but buried beneath a new, more overpowering odour.

Sara Sue Haverstock had spent too long in her father's house to be put off by something as simple as a weird smell, but she'd also been there long enough to appreciate a cautious approach.

She sniffed again.

"Hot dogs or human remains," she decided.

Ongoing Verse: Pay Attention

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[personal profile] froodle
It was Sara Sue's first time meeting a monster under the bed, and it had not gone how the monster expected.

"But why?" she asked, kneeling on the worn but well-vacuumed carpet of her rented room and peering into the dark space beneath a pink ruffled valance. "What's down there?"

The monster under the bed looked embarrassed, as much as an amorphous blob of blackness and fright could manage.

"Me?" it ventured. "Usually a few dust bunnies, a couple of lost socks. Occasionally a book someone got half-way through before abandoning."

Sara Sue thought about this.

"That's weird," she said.

Ongoing Verse: Pay Attention

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[personal profile] froodle
Sara Sue wielded the bottle of Squeezy Syrup with the same level of concentration she used for a paintbrush. Her canvas this time was the colour of palest gold, spotted here and there with patches of darker tan, and slightly bubbled.

Dash glanced over at her plate and grimaced.

"You're not planning to bring the smiley face pancake to life or anything, right?" he said.

Sara Sue snorted.

"Take another look," she said, making her fourth pass with the chocolate sauce. "There's not going to be enough space on this bad boy to fit my initials, much less a signature."

Ongoing Verse: Pay Attention

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[personal profile] froodle
The statues in Deadwood Park's small but well-appointed sculpture garden were on the move again.

Some careless idiot had decided to ignore the signs saying not to climb the statuary, fallen a good ten feet after a shove from a Venus made of reclaimed aluminium that sported rather more than two arms, and consequently bled all over the neatly-raked but very cursed gravel that lined the pathways winding between the figures.

Sara Sue didn't like dealing with the sculpture garden. Too much metal, too many hard, sharp edges. Though it was nice to see murderous artwork that wasn't her fault.

Ongoing Verse: Pay Attention

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[personal profile] froodle
As if on cue, it began to rain. Lightly at first, then heavier, quickly becoming a deluge that poured from a blue and cloudless sky.

Melanie glanced up, feeling the blessedly cool water on her face and bare arms.

"Looks like the boss lady managed to convince Wally," she said.

Sara Sue nodded, using her free hand to push her long hair back even as the hand holding the pencil never stopped moving. Her clothes were quickly becoming soaked, but the sketchpad open on rapidly-dampening knees remained bone-dry.

Melanie reached into her utility belt, checking for the extra pair of socks.

Ongoing Verse: Janet

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Ongoing Verse: Milkman

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Ongoing Verse: Weather

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Ongoing Verse: Teller Family History

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[personal profile] froodle
Sara Sue didn't reply to this, only ducked her head in a way that made the thick honey-gold sweep of her hair fall over her face.

Melanie knew from experience that the gesture meant she was uncomfortable, although whether it was from being asked to perform her own particular brand of Eerie strangeness in the middle of a heat-trap caused by cursed and shiny rocks or from the compliment was anyone's guess.

She decided to let it go, for now.

"What can I get you?" she asked instead.

"Another water would be great," Sara Sue said, flashing her a half-smile.

Ongoing Verse: Janet

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Ongoing Verse: Teller Family History

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Ongoing Verse: Milkman

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[personal profile] froodle
"Whatever those crystals are doing to the people trapped in there, it's messing up the passage of time," Sara Sue explained. "It's been hours for us, but it might have been weeks or even months for them."

Melanie watched the shadowed hand on the sundial spin across the numbers etched around it. She sucked in a breath.

"Can you-"

"I don't know if I can draw back the time they've lost," Sara Sue told her. "To be honest, I'm not even sure I can sketch them free."

"Syndi thinks you can," said Melanie. "And she's usually right on the money."

Ongoing Verse: Janet

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Ongoing Verse: Milkman

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Ongoing Verse: Teller Family History

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[personal profile] froodle
"Seriously," Melanie persisted. "You've been at it for hours. This place is making me nauseous, and you don't have a second soul to help absorb some of the heat."

Sara Sue unscrewed the cap on the bottle and took a long pull, then wiped the sweating plastic across her flushed face. She pointed the eraser-tipped end of her pencil at the sundial set in the centre of the crystal-ringed clearing, the equivalent of someone gesturing with the butt of a gun rather than the barrel.

"Look," she said, her voice hoarse.

Melanie looked. The sundial was wreathed in moving shadows.

Ongoing Verse: Janet

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Ongoing Verse: Teller Family History

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Ongoing Verse: Milkman

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[personal profile] froodle
Sara Sue's hand was cramping, and her eyes stung and blurred with the sweat that trickled from her hairline and down her face.

Melanie opened the cooler, reaching inside with a decidedly liquid slosh that indicated most of their ice had melted, and passed her a blessedly semi-cool bottle of water.

"Maybe you should take a break," she suggested. Her ever-present black jacket was slung over the stump of a dead tree in the shape of a human being contorted in agony, and her skin was already reddening in the glare coming off the crystals.

Sara Sue shook her head.

Ongoing Verse: Janet

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Ongoing Verse: Teller Family History

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[personal profile] froodle
The Paperwitch lunged, the tight folds of her body unfurling like one of those concertina file-boxes knocked from it's perch by a careless elbow in office-casual clothing.

Sara Sue leapt back, the beret she had worn since she was twelve keeping her hair from flying into her face and blinding her.

The Paperwitch expanded, twenty, thirty feet, streaked across with green and yellow paint. She twisted, too fast to follow, and Sara Sue found herself encircled by an ever-rising wall of stiff, beige-brown pages.

She struck out with the chalk, three lines, a narrow door, and darted through and away.

Ongoing Verse: Euclid

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Ongoing Verse: Pay Attention

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[personal profile] froodle
Lightning flashed overhead, and for a moment the sky was all aflame, the land beneath it lit bright as day though midnight had come and gone long since.

Thunder rumbled, shaking the single-pane glass in the soft and rotting wood of window frames up and down that long-abandoned street.

Dash X stood in the middle of the weed-cracked road, borrowed clothes plastered to him by the driving rain. This was his least-favourite outfit, the colours too bright and the whole thing several sizes too big, but it was still clothing he could ill-afford to lose.

His feet were bare, and in the light of the storm the scars on them were red, livid and shining. Beneath him, a thick rubber mat of the kind used in offices to lessen the chance of static discharge glistened like living oil.

Lightning cracked again, closer now. At the edge of town, something was burning. The new Weatherman didn't yet have Wally's level of control, and property damage happened more often these days.

The door to one of the houses banged open, caught by the rushing wind. In hand-me-down oil-slickers and heavy-soled rubber boots, Sara Sue and Harley said nothing as they joined him.

Ongoing Verse: Pay Attention

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Ongoing Verse: Weather

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[personal profile] froodle
Sara Sue knew instantly that the shrub which blocked the narrow dirt path leading up to the road was not a shrub.

It's outline was too symmetrical, the variegated patterns of it's green and yellow leaves too aesthetically pleasing, the overall effect too closely aligned with the platonic ideal of shrubliness.

No shrub in the history of shrubs had looked quite so... shrubby.

It also stank of oil paint, and two thick, fleshly tentacles coiled out from either side like a set of groping arms. That was also a giveaway.

She reached for the chalk in her pocket, eyes darting.

Ongoing Verse: The Children

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Ongoing Verse: Pay Attention

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Ongoing Verse: Teller Family History

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Ongoing Verse: Euclid

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Ongoing Verse: The Powers That Be

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[personal profile] froodle
The sun was up and it was possible that the birds were singing, although Sara Bob Haversock wouldn't know since she couldn't hear much over the sound of her brothers yelling.

She turned over on her thin mattress, inhaling the familiar smells of washing powder and cinderblock, and squeezed her eyes shut.

A moment later she opened them again. No good. The dream was gone, her family's voices wiping it away like an eraser on pencil marks. Too bad; it had felt like a good one.

She sat up, running her fingers through her hair. Upstairs, someone screamed her name.

Ongoing Verse: The Children

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Ongoing Verse: Pay Attention

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[personal profile] froodle
The Eerie Municipal Art Gallery and Performance Space didn't exactly throng with well-heeled art-lovers and wealthy supporters of local culture, but it was a decent enough turn-out.

Sara Sue stood beside the section of white wall dedicated to her paintings, watching the small crowd with an expression of naked apprehension on her face.

Melanie Monroe appeared at her side, two glasses of room-temperature white wine in one hand and a plate full of free cheese in another.

"Booze?" she asked, tilting one of the glasses slightly in Sara Sue's direction.

"Oh, corn bless you," said Sara Sue, taking it. "Yes."

Ongoing Verse: Janet

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Ongoing Verse: Teller Family History

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[personal profile] froodle
It's not quite a Viking funeral - for all his muscle and mass, he's still a triple-folded sheet of A4 in the end and that means his body would burn up too quickly to suit the solemnity of the occasion - but it's not a bad approximation, either.

Sara Sue sketches a shallow-bottomed row boat, the benches missing, and after she's signed it into reality the three of them line it with moss gathered from the scrubland that surrounds the lake. She unfolds the rumpled sketch of the Nanny and smoothes the brittle paper over the soft, damp green.

Dash hadn't known Harley before the disappearances at the lake and his own long, dark years trapped in the cell beneath City Hall, and the quiet, slightly lost shadow left behind in Simon's absence doesn't bear much resemblance to the stories he'd heard back then. Still, he thinks he sees a glimmer of it when Harley shows up twenty minutes before Arnold's send-off with a crate of illegal fireworks and an honour guard courtesy of the Unkind Ones.

They slide the paper-light boat out onto the dark blue water, and when the gentle swell has carried it a little distance from the shore, the three of them shoot rockets at it until it catches fire, orange-white flames curling up to mingle with multi-coloured explosions that light up the night sky and reflect in the waves below.

The Unkind Ones stand with heads bowed and hands clasped, and Billy Millions doesn't answer when Dash presses him on exactly how Eerie's most notorious biker gang came to know the Haversock's mail-order nanny. Harley shrieks with laughter at some of the bigger explosions, and again Dash wonders about that six year old who could bite through reality, and how hard reality must have bitten back once Simon was gone.

Sara Sue selects a roman candle that's thicker around than she is, lining it up with the drifting, half-melted boat with the same carefully calculated precision that he's seen her apply to everything, from drawings designed to leave municipal buildings in screaming heaps of meat and rubble to the exact amount of whipped cream required to make a perfect sundae.

It bursts with a thousand cascading explosions of green and pink and blue, and the shrill whistle as it goes off is magnified tenfold by the empty space around them. As the last traces of Nanny Arnold are obliterated in alternating flashes of light and dark, Sara Sue's eyes are wide and wet, and she drinks in the final death of her oldest creation.

Ongoing Verse: Pay Attention

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Ongoing Verse: Holmes Brothers

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[personal profile] froodle
Dash mistakes it for a zombie, at first. Papery yellow skin, features sagging with fading grey lines, it stumbles out of the shelter of a nearby awning and reaches for them with dry and rustling hands that are already losing definition in the drizzling rain.

Dash shouts, more an exclamation of surprise than any coherent attempt at a warning, and staggers back. At his side, Harley gasps and recoils, pressing against the damp brickwork of the abandoned house.

Sara Sue steps forward, and her face is sad and her eyes are brimming.

"I'm sorry," she whispers, and the Nanny crumples.

Ongoing Verse: Pay Attention

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[personal profile] froodle
So after [livejournal.com profile] friendof_dorothy and [livejournal.com profile] deifire respectively made me remember fanmixes and Five Things fic in the space of a single day, I decided it would be fun to have a Fandom Tropes challenge once a month, to remind us of all the stuff that used to be super common in fandom that maybe we don't see as much as we'd like to these days.

Your prompt for this month is: Saving the World with Art
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[personal profile] froodle
There is a portrait of Sara Sue on the side of a derelict house on Chapins Avenue. It is the work of several hands, not all of them in possession of either skill or talent, and so the casual observer might not make the connection.

Marshall is not a casual observer. The fact that this is the house from which every remaining member of the Haverstock family mysteriously vanished overnight, leaving behind only their nanny-slash-housekeeper-slash-drill-sergeant, means he pays even more attention than usual.

Today there's a fresh layer of paint on the crumbling brickwork, and Sara Sue's grin is cruel.

Ongoing Verse: Trusted Associates Inc

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Ongoing Verse: Pay Attention

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[personal profile] froodle
The second hand was the hardest. Finger-painting something that thin and fine, in oily prison crud, on bare skin, might have been manageable for Sara Sue, or even Syndi, but it was definitely beyond Marshall.

He picked up the sharp-edged rock, dragged it along the greasy build-up on the wall, and gritted his teeth as he pressed the jagged makeshift nib along his arm. It left a trail of black ooze and a thin white line that quickly welled with droplets of red.

Marshall pocketed the stone, stared at the crude drawing of a wristwatch.

The second hand moved, slightly.


Ongoing Verse: Pay Attention

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Ongoing Verse: Milkman

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Ongoing Verse: The Powers That Be

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[personal profile] froodle
He reached for the handle, but was unsurprised to find it remained flat and two-dimensional. Of course, she would have shut it tight behind her. Sara Sue Haverstock tended not to leave a lot of open doors in her wake.

Still, as Marshall stared at the calendar with it's crossed-out mass of unlived days, and the smudgy door that was now only ever a drawing, he had an idea.

He rolled up the sleeve on his right arm, the one that was usually covered to the elbow in more than a dozen watches. Taking a deep breath to steady himself, he used the gritty dirt of the unswept floor to draw a rough circle on the pale, exposed skin.

At his back, the door that was not and had never been a door creaked encouragement through non-existent hinges. A faint breeze blew from beneath it, smelling of newly-cut grass and the spring tide that was always slightly pink with blood.

He opted for roman numerals, figuring the straight lines would lend itself better to writing on skin with the greasy black grime of the prison cell. He drew a minute hand, and a shorter, thicker one to mark the hours.


Ongoing Verse: Pay Attention

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Ongoing Verse: Milkman

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Ongoing Verse: The Powers That Be

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[personal profile] froodle
Perhaps it was his frantically-racing mind playing tricks on him, perhaps it was just his eyes adjusting to the windowless gloom of the tiny cell, but Marshall could almost swear that next to the calendar was the outline of a door.

Painfully, he raised himself up to a crouch and, one wary eye on the darkened room beyond the bars of his cage, he shuffled over to examine the faint chalk smudges that formed a tall rectangle on the bare breezeblock walls.

The room's previous occupant had signed her work, and despite his situation, Marshall laughed when he saw it.

Ongoing Verse: Pay Attention

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Ongoing Verse: Milkman

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Ongoing Verse: The Powers That Be

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[personal profile] froodle
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[personal profile] froodle
"Can I borrow a pen?" said Harley, gesturing to the glitter-glue encrusted desk tidy stuffed with half-chewed biros and pencils worn to stubs. "I want to get some of this down before I forget."

"Sure," said Sara Sue automatically, then immediately corrected herself. "Wait, no! Not if you're going to make stupid ass jokes, use your own stuff!"

"Stupid?" said Harley, grabbing an only slightly-mangled ballpoint that was, inevitably, missing it's cap. "More like witty and sophisticated. Isn't that right, Professor?" he added, turning to the doll that had started all this.

"That's correct," said Prof. Moth, in Harley's voice.

Ongoing Verse: Pay Attention

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[personal profile] froodle
"I like it," said Harley. "When we inevitably sell out to the toy companies, I'm having Motheus packaged so you can't see his butt and if anyone asks me if we released another weird buns-of-steel character, I'll be like, 'maaayyybe' and it'll all be a clever marketing ploy."

"How meta," said Sara Sue dryly. "Shall I make sure I only ever draw him from the front so you can make butt jokes with our IP?"

Harley gasped in delight. Sara Sue groaned.

"No!" she said. "That was sarcasm! I'm starting to think the manufacturers didn't mess up the doll's design..."

Ongoing Verse: Pay Attention

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[personal profile] froodle
Sara Sue picked up a half-used stick of charcoal from the cluttered bowl set beside a long-gone-cold cup of coffee and sketched a few lines.

"What about 'Motheus Maybe'?" she asked. "Looks kind of like Batteus, kind of like Mothman, but we never confirm who he's related to one way or another."

"Huh," said Harley, pulling up a chair as she worked. "Schrodinger's Cryptid."

"Prof. Moth's uncertainty principle."

"Spooky action at a distance?"

"That'll give Bert and Ernie something to blog about," said Sara Sue. "'Intellectually inaccessible', it was a bowl of pudding with wings and a set of fangs!"

Ongoing Verse: Pay Attention

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[personal profile] froodle
"The kids would love it," said Harley, spinning the Professor like a fuzzy red-eyed top and making the untidy piles of paper around him flutter with the motion. "Butts are inherently funny when you're a kid."

"You'd get great reviews from the Wilson Twins," Sara Sue said, reaching out to steady a stack of pages that looked ready to topple from the centrifugal force of Prof. Moth's breakdancing. "They called your last story collection 'intellectually inaccessible' because you had a character that was a cross between a bat and a bowl of pudding."

Harley nodded.

"Poor Puddious Baby," he agreed.

Ongoing Verse: Pay Attention

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[personal profile] froodle
"Oh," said Sara Sue, who had noticed but not commented on the dedication that accompanied every new children's book. "Yeah."

Harley set Professor Moth down. He immediately tilted backwards to rest upon his pert plush glutes.

Sara Sue sighed.

"Seriously though, the company has to get rid of that ass. It's ridiculous, Harley, I'm not drawing that."

Harley adopted a look of mock offense.

"Are you saying academics can't have buns of steel? And you a teacher yourself? What would your colleagues say?"

"Probably 'Miss Haverstock, please take the weird butt-doll out of our classroom, it's creeping the kids out.'"

Ongoing Verse: Pay Attention

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Ongoing Verse: Holmes Brothers

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[personal profile] froodle
"That sounds like we're admitting that he looks like Mothman," she said.

"No," said Harley, waggling Prof. Moth in front of his mouth and affecting what he thought of as a professorial drawn. "We are acknowledging that the common cultural perception of this so-called 'Moth Man' shares a passing physical similarity to beloved children's book character Batteus Bat and his child, Batteus Baby."

Sara Sue snorted with laughter.

"Is that what he sounds like?"

Harley shrugged.

"Maybe," he said. "Batteus Bat's based on stories Simon used to tell me, so the truth is he probably was based on the Mothman."

Ongoing Verse: Pay Attention

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Ongoing Verse: Holmes Brothers

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[personal profile] froodle
The bowtie was made of yellow felt. Harley had tried to draw blue polka dots on it in felt, but the colours had seeped and ran, leaving ragged green blotches on the absorbent fabric.

"Ta-da!" he said. "No more failed Batteus Baby toy; this is now the newest addition to our pantheon, Prof. Moth."

He held the newly-accessorised Prof. Moth up to the light, and Sara Sue could see he'd fashioned a small, crooked pair of spectacles out of pipe cleaner. They encircled the Professor's huge red eyes, the glasses' arms disappearing in the miniscule space between wing and ears.

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[personal profile] froodle
Sara Sue glared at him. Then she pulled her hair back off her face and glared at him with both eyes for added effect.

"Batteus Baby does not look like Mothman," she said. "He looks like a baby bat, not some weird six-pack-sporting Kamen Rider statue down in Point Pleasant."

"I meant he looks like the stories," said Harley. "Black shadowy figure with big wings and red eyes? I can see how a toy designer would get "Mothman" from that."

He picked up the doll and examined it critically.

"I like him," he said. "He's weird. We should keep him."

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[personal profile] froodle
Sara Sue set the round plush-furred prototype down at one end of the coffee table, then flicked it with a paint-speckled finger. It rolled a single, solitary rotation before coming to rest on the carefully-sculpted cloth buttocks.

"Why?!" she said, throwing up her hands. "Why would the toy company send us this? That's not in any of the drawings!"

Harley nudged the Batteus Baby toy back in her direction, turning the pages of a brightly-coloured board book with his free hand.

"He does look a bit like Mothman," he said. "Maybe they remembered the statue in Virginia and got confused?"

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Eerie Indiana

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