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Strap on your Sky Monsters part 2 (with bubble sole!), and strut like a sky-walking machine down to First Eerie Savings to sing 99 Bottles of Beer with Mister Wilson. Ladies, gentlemen, ain't it good to know you got a friend? Put your white plastic cash dispensing hands together for... ATM with a Heart of Gold!
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Welcome back to the Eerie, Indiana 2021 rewatch. This Friday, give your dog the side-eye and pray that doorknobs will be enough to save us. Ladies and gentlemen, keep the Canine Arrest Team on speed-dial, because it's time to watch... The Retainer!
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Rock out your fifties hairstyles, make sure your lids are sealed tight, and enjoy vacuum-fresh food, because the 2020 Eerie Indiana rewatch kicks off tonight with the pilot episode that made half of us afraid of packed lunches... ladies and gentlemen, fire up your DVD players, and let's watch: Foreverware!
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Simon opened his eyes at the sound of a car door slamming. Through the thin and moth-eaten curtains that covered his bedroom window with their broken and grimy screen, he could see headlights flashing off, then on, then off again.

He sat up, glancing over to where dirty laundry lay artfully wedged in the gap between his door and the frayed and faded carpet. It would open a little, before sticking just enough that his father probably wouldn't bother trying to force his way in, instead contenting himself with raging impotently from the hallway.

If he even made it upstairs.


Ongoing Verse: Holmes Brothers

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Strap on your Sky Monsters part 2 (with bubble sole!), and strut like a sky-walking machine down to First Eerie Savings to sing 99 Bottles of Beer with Mister Wilson. Ladies, gentlemen, ain't it good to know you got a friend? Put your white plastic cash dispensing hands together for... ATM with a Heart of Gold!
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[personal profile] froodle
Strap on your Sky Monsters part 2 (with bubble sole!), and strut like a sky-walking machine down to First Eerie Savings to sing 99 Bottles of Beer with Mister Wilson. Ladies, gentlemen, ain't it good to know you got a friend? Put your white plastic cash dispensing hands together for... ATM with a Heart of Gold!
froodle: (Default)
[personal profile] froodle
Welcome back to the Eerie, Indiana 2020 rewatch. This Tuesday, give your dog the side-eye and pray that doorknobs will be enough to save us. Ladies and gentlemen, keep the Canine Arrest Team on speed-dial, because it's time to watch... The Retainer!
froodle: (Default)
[personal profile] froodle
Welcome back to the Eerie, Indiana 2020 rewatch. This Friday, give your dog the side-eye and pray that doorknobs will be enough to save us. Ladies and gentlemen, keep the Canine Arrest Team on speed-dial, because it's time to watch... The Retainer!
froodle: (Default)
[personal profile] froodle
Rock out your fifties hairstyles, make sure your lids are sealed tight, and enjoy vacuum-fresh food, because the 2019 Eerie Indiana rewatch kicks off tonight with the pilot episode that made half of us afraid of packed lunches... ladies and gentlemen, fire up your DVD players, and let's watch: Foreverware!
froodle: (Default)
[personal profile] froodle
Rock out your fifties hairstyles, make sure your lids are sealed tight, and enjoy vacuum-fresh food, because the 2020 Eerie Indiana rewatch kicks off tonight with the pilot episode that made half of us afraid of packed lunches... ladies and gentlemen, fire up your DVD players, and let's watch: Foreverware!
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[personal profile] friendof_dorothy
 Its been a while, lol. I would have posted earlier but. well. im lazy. Also i changed my url bisexualcharliedavis -> lawson-davis

Marshall + Simon/seven by Taylor Swift (have we all remembered to stream folklore???)

MDash/Tellex + betty by Taylor Swift 

Marshall's Theory of Beliavability as an Album
- don't read the attached ''article'' because it's really bad and basically why i havent made any more of these lol. Oh well, at least the album images look good >.> 

Pink Syndi <3 
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Marshall did not like visiting Harley. It wasn't just that Simon's brother appeared to be functionally ageless, frozen in eternity as a mostly-silent, permanently grinning six year old. It wasn't the Rat King, discorporated into thousands of rodents whose black eyes all shone with a single driving intelligence. The now-sprawling brood of cockatrice kept to themselves in their stony kingdom on what used to be the Holmes' front lawn, and the goat that had once been earmarked for sacrifice at the Witch Queen's Black Mass cropped placidly at whatever greenery remained, content to graze in the moments when he wasn't trotting at his master's side.

No, it was the house. The house that had stood next to his own the day he moved to Eerie, paint peeling and rusted screens hanging at odd angles from windows whose frames warped and rotted with every winter cold snap and damp spring thaw. The house that sat unchanged, weeds springing up in the cracked driveway as the carcass of an abandoned car slowly melted back into the iron-red ground around it. The house where the air still hummed with the memory of voices raised in anger, and words and other things thrown to wound.

The house Simon had grown up in.

Chick Four lifted one of it's four heads as they approached, yellow eyes appraising them as a dozen forked tongues flickered out of a beak lined with serrated teeth, tasting the air. It climbed to some of it's clawed feet, the first third of a long and serpentine body raising out of dust that smelled like cold stone and rosemary.

Simon waved to it.

"Hey, boy," he said, shoving one hand deep into his jacket pocket and emerging with a small bag of poultry feed, which he dangled encouragingly. "I brought you a treat."

It shouldn't be possible for something with four beaks to smile fondly, but Marshall could swear the old cockatrice managed it.

With a rasp and whisper of scales against shale, Chick Four half-slithered, half-bobbed towards them. Simon scattered the grain in a thin line in front of the four heads, then set about petting each one in turn.

A few of the Rat Kings' smaller rats scuttled over, noses twitching, pink paws grabbing greedily for any overlooked fragments of the treat Simon had brought.

"You're like the princess out of a nightmare-world Walt Disney," Marshall told his friend, as the rats swarmed around their ankles and the other cockatrice shook off reptilian dreams and came to join the throng.

Simon only laughed, fishing out a seemingly endless supply of goodies as he stroked and scratched and whispered compliments to a monstrous horde.

"Nah," he said. "The real royalty is inside, and he knows we're here. Let's head in and say hi."

He stepped over a wriggling knot of grey-brown sewer rats and pushed open the faded red door of 997 Normal Avenue.

Ongoing Verse: Holmes Brothers

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Ongoing Verse: Microwave

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"Simon here," he said. "That you, Mars? Over."

Marshall's voice was garbled by static and, Simon suspected, the need to replace the batteries in his walkie before much longer. is excitement still came through clear.

"It's me," he said. "I've triple-checked everything, and I am absolutely sure that the goblin market is tonight. Can you tell your folks you're studying at mine for the whole day so we can get ready? Over."

They both knew Simon's parents wouldn't be interested either way, but the Tellers would always ask and Simon hated lying to them.

"Sure thing," Simon promised. "I don't think they're home right now, but I'll leave them a note and be right over. Um, over," he added awkwardly.

"Great," said Marshall, through the clicking, buzzing noise of Eerie's background weirdness trying to piggyback on their signal. "I think I've got most of what we need. Bring a pen."

Ongoing Verse: Milkman

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Ongoing Verse: Holmes Brothers

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Ongoing Verse: Trusted Associates Inc

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Tod and Simon both turned to him. For a moment, with their pinched, nervous expression and pale faces covered in freckles that stood stark against blanched skin, Marshall thought they could almost be siblings.

He pushed that image away as quickly as it had appeared, focusing on the task at hand, and darted through the still-open door.

The Tostwich smelled of anointing oil, melted cheese, and fresh bread. Evidently some kind of enchantment was in play to keep the sugar mice from nibbling it down to bare components - even Mars's mostly-human nose picked up the tempting aromas coming off it.

Ongoing Verse: Trusted Associates Inc

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Ongoing Verse: Janet

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Tod carefully placed the loose-fitting cardboard lid over the enchanted shoebox, black-nailed fingers running over the punctured surface to make sure the air-holes hadn't somehow healed over in the interim. They were all still there.

Simon moved to the mouth of the alley, silent in worn-out tennis shoes, invisible in a way that had nothing to do with magic and everything to do with his parents.

"Coast is clear," he whispered, as his eyes darted this way and that along Front Street.

Marshall glanced back into the dark and silent interior of Grandma's Kitchen's now-abandoned kitchen section.

"Wait," he said.

Ongoing Verse: Trusted Associates Inc

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Ongoing Verse: Janet

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For a living mannequin whose human pseudonym was Manuel O'Quinn and who had, after apparently managing the improbable act of reproduction, deliberately chosen to name his offspring Quinn O'Quinn, Manuel was remarkably scornful about the naming abilities of Simon's parents.

Simon thought this was probably quite low on the list of their inadequacies, but opted not to bring that up. After all, he doubted his parents would have bothered to go looking for either of their sons if they'd vanished into the depths of the Eerie Mall's children's department.

It was only ever Marilyn who had taken them there, anyway.

Ongoing Verse: Holmes Brothers

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Ongoing Verse: Trusted Associates Inc

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Ongoing Verse: Teller Family History

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The house was dark and silent and all the tulips in the window boxes had died. In other circumstances, Bertram Wilson might have thought it was sad. Maybe even creepy, another building abandoned and falling to ruin, it's hallways walked only by sad ghosts slowly losing the shape they'd held in life.

Not an usual sight, at least in this town.

This house was different, though, and he whistled cheerfully as he checked the closed and bolted shutters and tested the lock on the back door. This house couldn't rot fast enough, and the memory of his mother with it.

Ongoing Verse: The Children

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Ongoing Verse: The Powers That Be

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The face at the window was mottled pink and white, eyes puffy from hours of crying, and it's mouth hung open in an unending scream. It pounded on the reinforced safety glass, broken hands leaving streaks of gore in the shape of twisted fingers.

Simon shook his head.

"Trust me," he said. "You're better off out there."

He stepped back just far enough so he could reach the doorknob, twisting it carefully as he let it swing open a scant half-inch.

The sound of his parents fighting immediately filled the small bedroom, and the thing at the window flinched away.

Ongoing Verse: Holmes Brothers

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“Questions were playing tiddly winks with my grey matter...”

Most times you go back to watch a programme from your youth, it's pretty disappointing. Every now and then, however, they're genuinely as good as you remember. Eerie, Indiana is one of those special few. There are a handful of series that tried to be The Twilight Zone for kids. Round the Twist (which I'll be coming back to in another article) is well-remembered by British and Australian audiences. Are You Afraid of the Dark and Goosebumps scared the kids of the early and late nineties, respectively. None had the wit of Eerie, Indiana. So why this series only lasted for a single season baffles me.

The series was set in the eponymous town of Eerie, Indiana, population 16,661. Marshall 'Mars' Teller moves to Eerie with his family. Only he, and his best friend, Simon, seem to notice just how bizarre life in Eerie really is. Bigfoot eats out of Marshall's trash, Elvis is on his paper round, and each episode, some uncanny occurrence makes becomes the subject of Marshall and Simon's investigations. The situations the duo faced were man and varied. Some were drawn from classic horror and sci-fi, but with a twist, such as “America's Scariest Home Video,” which drew the Mummy straight out of a black-and-white movie and into Marshall's living room, while Simon's younger brother took his place (and proved far scarier). Some drew on science fiction for their inspiration, such as the HAL 9000 riff “The ATM With a Heart of Gold.” Others were barmy in their originality. “No Brain, No Pain,” involved a shambling vagrant, who was in fact a genius, but had accidentally taped over his mind with a copy of The Knack's My Sharona.

While the writing was generally very good for a children's drama, it was the direction and the cast that really set Eerie apart from its rivals. While Jose Rivera and Karl Schaefer were credited as the series' creators, Joe Dante was a major creative force on the show, directing several episodes. This is the man who directed such sci-fi classics as Innerspace, Gremlins and, um, Piranha. Not the sort of person you'd expect to be working on a children's TV series for the Disney Channel. The cast were what really made it, though. The series boasted not only a solid regular and semi-regular cast, but some of the best guest actors in television. Weird old Vincent Schiavelli played the town's terrifying orthodontist, while Rene Auberjonois tried to brainwash the town. Dante's favoured actor, Archie Hann, played Mr Radford, the proprietor of the World O' Stuff, until the series' midpoint turnaround, when he was revealed to be an imposter. The real Radford was revealed, played with twinkling charm by John “Gomez” Astin. In one fan-favourite episode, “The Lost Hour,” putting the clocks forward one hour incorrectly stranded Marshall in an empty parallel version of Eerie, with only a mysterious milkman to turn to for help. That milkman – who, it was hinted, may have been Marshall's own future self – was played by the late, great Eric Christmas, an actor who was born to play the Doctor. These impressive guest spots and many clever references make the series a joy to watch for genre fans.

It would be wrong to overlook the core cast, however. Omri Katz was the star of the show. Fifteen at the time of filming, but playing it a little younger, Omri was perfect as Marshall, representing the many young boys who were just entering puberty and being torn between silly kids' shows and adult life. Omri gave Marshall a wide-eyed wonder at the weirdness of the world, with just enough snark to make the character snappy, but never obnoxious. Stealing the show, though, was Justin Shenkarow, four years younger, as Simon Holmes. Justin dominated every scene he was in, despite being the youngest member of the cast. Simon was an outsider in Eerie, and became close friends with Marshall, only to find himself take a backseat to the teenager's problems. Popularity, school, and above all, his burgeoning interest in girls, threatened to take Marshall away from Simon, but at the end of the day, the two were inseparable. There was a lot for young boys to relate to.

Marshall's family were equally as important to the setup, forever oblivious to the strange goings on around them. Frances Guinan was just the right side of eccentric as his father Edgar. Possibly named in association with Edward Teller, inventor of the hydrogen bomb, Edgar tried to keep afloat with his career as an inventor for Things Incorporated. His inventions were often a main plot point in the series. Marshall's mother, Marilyn, was played Mary-Margaret Humes, who I only now realise was quite impossibly sexy and wasted as Edgar's housewife. As Marshall's older sister, Syndi, Julie Condra provided the boys watching with the twin interests of an irritating sibling to run rings round, and a beautiful young woman to gaze at.

It was something of a boys' show. Marshall had a new crush every other week, and while the girls were often strong, impressive characters, there was less for the female members of the audience. That changed in the thirteenth episode, which began a process of revamping the series by introducing Jason Marsden – that guy who's in everything, these days – as Dash X. A mysterious, amnesiac with grey hair, Dash X didn't know his real name or where he came from. He became the amoral antagonist to Marshall's hero, sometimes helping him, sometimes out for himself. He might possibly have been an alien, and was even seemingly aware that he was part of a television programme. He was also, importantly, the one all the girls watching had a crush on.

Dash X threatened to steal the series away from Marshall, something that the producers were fully aware of. In what was surely intended as the final episode of the series, but actually aired as the penultimate instalment, Marshall woke up to find that his name was really Omri, and his entire life was, in fact, part of a TV show. “Reality Takes a Holiday” was an ingeniously postmodern episode, and saw Dash X – the only character referred to by his fictional name, and not his actor's name – attempt to oust Marshall as the star. Genuinely clever, it was a high point for the series.

My favourite episode, however, was “Heart on a Chain.” Marshall and a previously unmentioned classmate, Devon (played by another Dante favourite, Cory Danziger), both fall for the new girl, Melissa. When Devon is killed in a road accident, his heart is transplanted into the desperately ill Melissa, who begins to display some of Devon's personality traits. Marshall and Melissa's burgeoning romance is sabotaged by Devon's restless spirit. Apart from the fact that I had a huge crush on Danielle Harris, who played Melissa, this episode really touched me as a kid. Watching it again now, it's still affecting. It's a genuinely sweet, sad, creepy little ghost story, just really fine television.

For all the silliness, references and naff monsters, Eerie, Indiana was quite a dark, subversive series. The strangeness of the town and its supposed ordinariness was a metaphor for the harsh realities that are so often kept behind closed doors. While Marshall had a strong, loving family, Simon was from a broken home. He was able to spend so much time with the Tellers because his mother was rarely home, and his father was often “entertaining.” Other characters' lives were rarely anything to celebrate. “Who's Who” revolved around a young girl whose mother had abandoned her, and who was neglected and exploited by her father and brothers. Even the pilot episode, “Foreverware,” hinted at the dark secrets behind so many supposedly perfect families.

For some reason, Eerie, Indiana never took off on its initial 1991-2 run. It sank without a trace, with certain episodes not even airing. It wasn't until 1997 that Fox bought the series and it was given a new lease of life. It was then that the series made it overseas, onto the Saturday mornings of my thirteen-year-old self. It became successful enough to spawn a spin-off series, Eerie, Indiana: The Other Dimension. The concept was rather clever: in a parellel version of Eerie, life is perfectly normal, until a crazy cable guy opens an interdimensional rift. This lets the weirdness of the “prime” Eerie through to the Other Dimension, and threatens to destroy the Eeries of all realities. Marshall and Simon even appeared in the first episode to help out their younger equivalents, Mitchell and Stanley. However, although the effects had improved over the years, the scripts hadn't, and the weaker sequel series lasted only one season itself.

Eerie, Indiana amassed something of a cult following in its brief renaissance, but has little legacy. Even much of its cast are no longer acting. Omri Katz made the occasional film up until about eight years ago, while Justin Shenkarow now does mainly voice work. Julie Condra no longer seems to be acting. Of course, many of the more legendary guest stars are no longer with us. On the other hand, Jason Marsden is a familiar face on American television, Danielle Harris has become something of a modern day scream queen, and some kid called Tobey Maguire, who played a ghost boy, did quite well for himself. Still, I doubt any of these roles will make me smile quite as much as Eerie, Indiana.
froodle: (Default)
[personal profile] froodle
Strap on your Sky Monsters part 2 (with bubble sole!), and strut like a sky-walking machine down to First Eerie Savings to sing 99 Bottles of Beer with Mister Wilson. Ladies, gentlemen, ain't it good to know you got a friend? Put your white plastic cash dispensing hands together for... ATM with a Heart of Gold!
froodle: (Default)
[personal profile] froodle
Welcome back to the Eerie, Indiana 2019 rewatch. This Sunday, give your dog the side-eye and pray that doorknobs will be enough to save us. Ladies and gentlemen, keep the Canine Arrest Team on speed-dial, because it's time to watch... The Retainer!
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[personal profile] froodle










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froodle: (Default)
[personal profile] froodle
Rock out your fifties hairstyles, make sure your lids are sealed tight, and enjoy vacuum-fresh food, because the 2019 Eerie Indiana rewatch kicks off tonight with the pilot episode that made half of us afraid of packed lunches... ladies and gentlemen, fire up your DVD players, and let's watch: Foreverware!

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