To whom it may concern

Mary C. Carter arranged three slices of lemon neatly alongside the repeating rose pattern of a bone china saucer that was so thin as to be very slightly translucent. In the chair opposite her, the faintly-glowing spectre of her aunt nodded in approval.

"Auntie, can you even drink this?" Marisea asked.

Mary B. Carter flickered, her face changing from a teenage girl with long brown hair to a woman in her seventies wearing a white nightgown overlaid with a faded shawl, then back again.

"No," she allowed, her voice see-sawing between adolescence and old age. "But I like the ritual."

Ongoing Verse: Andrea/Marisea



Bridal, in which Mary B. Carter prepares for her most recent wedding day.

Marys by froodle, in which Mary C. Carter takes on her new role

Parking, in which Marshall will take any excuse not to help his dad with the yardwork

The Microwave by froodle, in which Andrea Fantucci returns to Eerie after a considerable absense

The Eldritch Abomination in the Room by froodle, in which the microwave is most definitely not discussed

The Listener, in which Devon has some things to share with Melanie

Twelve Sleeps! by froodle, in which Andrea does not enjoy Christmas shopping

Winter Chill, in which Andrea does enjoy Christmas itself

Mirror by froodle, in which Mary C. Carter does some housework

Timely, in which it's Andrea's turn to take care of some chores

Invitiation by froodle, in which Mary C. Carter makes use of Marshall's well-honed delivery boy skills

Antiquing, in which Marshall attempts to return the favour, and Marisea isn't sure

A Credible Threat, in which the Eerie Mall has a problem

Figurehead by froodle, in which Lake Eerie's ghost pirates encounter the lighthouse

Awakening by froodle, in which Marisea must confront an unhappy spectre at an unreasonable hour

Remembrances of the Dead, in which Eerie's citizens gather for All Soul's Day

4.57pm by froodle, in which Mary C. Carter waits for a bus