To whom it may concern

"Oh good," said Marisea, crunching across the dusty floorboards to join her. "You found the ghoul's trash heap."

"I don't think there's anything here," said Andrea. "It's just discards left over from the party. No signs of a haunting."

She used the thigh bone to lift a crumbling section of jaw out of the nest of hair, her torchlight gleaming against the silvery fillings.

"Looks like they ate most anything a ghost would be able to bind itself to," she continued.

"Good," said Marisea. "Leftovers pose such a risk at a revenant feast. Cleaned plates makes my job much easier."

Ongoing Verse: Andrea/Marisea



Bridal, in which Mary B. Carter prepares for her most recent wedding day.

Marys by froodle, in which Mary C. Carter takes on her new role

Parking, in which Marshall will take any excuse not to help his dad with the yardwork

The Microwave by froodle, in which Andrea Fantucci returns to Eerie after a considerable absense

The Eldritch Abomination in the Room by froodle, in which the microwave is most definitely not discussed

The Listener, in which Devon has some things to share with Melanie

Twelve Sleeps! by froodle, in which Andrea does not enjoy Christmas shopping

Winter Chill, in which Andrea does enjoy Christmas itself

Mirror by froodle, in which Mary C. Carter does some housework

Timely, in which it's Andrea's turn to take care of some chores

Invitiation by froodle, in which Mary C. Carter makes use of Marshall's well-honed delivery boy skills

Antiquing, in which Marshall attempts to return the favour, and Marisea isn't sure

A Credible Threat, in which the Eerie Mall has a problem

Figurehead by froodle, in which Lake Eerie's ghost pirates encounter the lighthouse

Awakening by froodle, in which Marisea must confront an unhappy spectre at an unreasonable hour

Remembrances of the Dead, in which Eerie's citizens gather for All Soul's Day

4.57pm by froodle, in which Mary C. Carter waits for a bus