To whom it may concern

Andrea surveyed the stacks of wooden packing crates with something very like horror. The huge white moving van was still parked on the curb outside, an endless stream of sweating men and splinter-edged boxes emerging from the dark maw at it's back.

"Are you sure about this?" she asked Marisea, who was cross-checking the delivery against a frighteningly long inventory list attached to her clipboard.

Marisea looked up.

"Not really," she said. "A haunted merry-go-round is a lot of work. But Marys J-12 and N-3 live in apartments and I'm the only active Mary with a garden, so..."

She shrugged.

Ongoing Verse: Andrea/Marisea



Bridal, in which Mary B. Carter prepares for her most recent wedding day.

Marys by froodle, in which Mary C. Carter takes on her new role

Parking, in which Marshall will take any excuse not to help his dad with the yardwork

The Microwave by froodle, in which Andrea Fantucci returns to Eerie after a considerable absense

The Eldritch Abomination in the Room by froodle, in which the microwave is most definitely not discussed

The Listener, in which Devon has some things to share with Melanie

Twelve Sleeps! by froodle, in which Andrea does not enjoy Christmas shopping

Winter Chill, in which Andrea does enjoy Christmas itself

Mirror by froodle, in which Mary C. Carter does some housework

Timely, in which it's Andrea's turn to take care of some chores

Invitiation by froodle, in which Mary C. Carter makes use of Marshall's well-honed delivery boy skills

Antiquing, in which Marshall attempts to return the favour, and Marisea isn't sure

A Credible Threat, in which the Eerie Mall has a problem

Figurehead by froodle, in which Lake Eerie's ghost pirates encounter the lighthouse

Awakening by froodle, in which Marisea must confront an unhappy spectre at an unreasonable hour

Remembrances of the Dead, in which Eerie's citizens gather for All Soul's Day

4.57pm by froodle, in which Mary C. Carter waits for a bus